Fiona Bell

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<channel>
	<title>Fiona Bell</title>
	<link>https://fiona-bell.com</link>
	<description>Fiona Bell</description>
	<pubDate>Tue, 22 Feb 2022 01:45:27 +0000</pubDate>
	<generator>https://fiona-bell.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Information</title>
				
		<link>https://fiona-bell.com/Information</link>

		<pubDate>Tue, 22 Feb 2022 00:27:21 +0000</pubDate>

		<dc:creator>Fiona Bell</dc:creator>

		<guid isPermaLink="true">https://fiona-bell.com/Information</guid>

		<description>Fiona Bell
	

Fiona Bell is a writer and translator from St. Petersburg, Florida. Her work has appeared in The New Yorker, The Los Angeles Review of Books, Asymptote Magazine. She is an editor at Full Stop.
	Her translations from Russian include Nataliya Meshchaninova’s Stories of a Life, the short fiction of Tatsiana Zamirovskaya, and the first novel of nineteenth-century writer Avdotya Panaeva.
	
As a playwright, director, and performer, Fiona brings physical theater practices to her scholarship and teaching. She lives in Salt Lake City, Utah and&#38;nbsp;can be reached at bellfiona@protonmail.com.

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	<item>
		<title>Translations</title>
				
		<link>https://fiona-bell.com/Translations</link>

		<pubDate>Tue, 22 Feb 2022 00:27:20 +0000</pubDate>

		<dc:creator>Fiona Bell</dc:creator>

		<guid isPermaLink="true">https://fiona-bell.com/Translations</guid>

		<description>Translations from Russian

&#60;img width="647" height="1000" width_o="647" height_o="1000" data-src="https://freight.cargo.site/t/original/i/cd9ba1966a3df1670549fd49161e90eb1fee1d93981d3b5c6b93c3430d01e53c/FALL-2020-ISSUE-10-COVER-web.jpg.800x1000_q85.jpg" data-mid="134279313" border="0" data-draggable alt="&#38;quot;We were sorting apricots...&#38;quot; by Elena Isaeva, American Chordata" data-caption="&#38;lt;i&#38;gt;&#38;quot;We were sorting apricots...&#38;quot;&#38;lt;/I&#38;gt; by Elena Isaeva, American Chordata" src="https://freight.cargo.site/w/647/i/cd9ba1966a3df1670549fd49161e90eb1fee1d93981d3b5c6b93c3430d01e53c/FALL-2020-ISSUE-10-COVER-web.jpg.800x1000_q85.jpg" /&#62;
&#60;img width="350" height="541" width_o="350" height_o="541" data-src="https://freight.cargo.site/t/original/i/5e7b4d183f242765f720027b25d7783dbc13721200831dbb180b6486e017228d/panaeva.jpg" data-mid="208035956" border="0" data-draggable alt="The Talnikov Family by Avdotya Panaeva, Columbia University Press" data-caption="&#38;lt;I&#38;gt;The Talnikov Family&#38;lt;/I&#38;gt; by Avdotya Panaeva, Columbia University Press" src="https://freight.cargo.site/w/350/i/5e7b4d183f242765f720027b25d7783dbc13721200831dbb180b6486e017228d/panaeva.jpg" /&#62;
&#60;img width="339" height="539" width_o="339" height_o="539" data-src="https://freight.cargo.site/t/original/i/a2b8094f85136955705e5d5fd79e1397b8a8038a6de75a423499f3e4f5332086/napoleon.jpg" data-mid="138244434" border="0" data-draggable alt="Inside You in Your Absence by Tatsiana Zamirovskaya, Institute of the Cosmos Bulletin" data-caption="&#38;lt;I&#38;gt;Inside You in Your Absence&#38;lt;/I&#38;gt; by Tatsiana Zamirovskaya, Institute of the Cosmos Bulletin" src="https://freight.cargo.site/w/339/i/a2b8094f85136955705e5d5fd79e1397b8a8038a6de75a423499f3e4f5332086/napoleon.jpg" /&#62;
&#60;img width="858" height="1378" width_o="858" height_o="1378" data-src="https://freight.cargo.site/t/original/i/7286ff4ccf6a766ad0ffd649519d52496d798521e4d267440d0cfd79e8e5f7ff/stories-cover.png" data-mid="134277314" border="0" data-draggable alt="Stories of a Life by Nataliya Meshchaninova, Deep Vellum" data-caption="&#38;lt;i&#38;gt;Stories of a Life&#38;lt;/I&#38;gt; by Nataliya Meshchaninova, Deep Vellum" src="https://freight.cargo.site/w/858/i/7286ff4ccf6a766ad0ffd649519d52496d798521e4d267440d0cfd79e8e5f7ff/stories-cover.png" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1d6ea2e2848cfcd373114190e7acd7e3a214692e9100220ab5f732306774a076/sisters-photo-credit-anton-obukhov.jpg" data-mid="134279217" border="0" data-draggable alt="Sisters by Olga Ezhova, The Mercurian" data-caption="&#38;lt;i&#38;gt;Sisters&#38;lt;/I&#38;gt; by Olga Ezhova, The Mercurian" src="https://freight.cargo.site/w/1000/i/1d6ea2e2848cfcd373114190e7acd7e3a214692e9100220ab5f732306774a076/sisters-photo-credit-anton-obukhov.jpg" /&#62;
&#60;img width="960" height="640" width_o="960" height_o="640" data-src="https://freight.cargo.site/t/original/i/0be53e7d87e02689196c2cd12217f50a746c5aecfe52a57244b51ac547c25c09/chlorophyll.jpg" data-mid="134279621" border="0" data-draggable alt="Chlorophyll: A Reminiscence by Tatsiana Zamirovskaya, World Literature Today" data-caption="&#38;lt;i&#38;gt;Chlorophyll: A Reminiscence&#38;lt;/I&#38;gt; by Tatsiana Zamirovskaya, World Literature Today" src="https://freight.cargo.site/w/960/i/0be53e7d87e02689196c2cd12217f50a746c5aecfe52a57244b51ac547c25c09/chlorophyll.jpg" /&#62;
&#60;img width="538" height="538" width_o="538" height_o="538" data-src="https://freight.cargo.site/t/original/i/2e530956555d98c4cfd3c0c5604b5f53deef3d13a953056130a9727210928feb/People_and_Other_Beings_538-1.jpg" data-mid="134279768" border="0" data-draggable alt="People and Other Beings by Marianna Geide, Asymptote Journal" data-caption="&#38;lt;i&#38;gt;People and Other Beings&#38;lt;/I&#38;gt; by Marianna Geide, Asymptote Journal" src="https://freight.cargo.site/w/538/i/2e530956555d98c4cfd3c0c5604b5f53deef3d13a953056130a9727210928feb/People_and_Other_Beings_538-1.jpg" /&#62;
&#60;img width="470" height="470" width_o="470" height_o="470" data-src="https://freight.cargo.site/t/original/i/040991ffaed17e907ac96d725589fbb16396f4a836a3801ae7d9041a7020b6eb/interview.jpg" data-mid="134279512" border="0" data-draggable alt="Interview with Tatsiana Zamirovskaya, Punctured Lines" data-caption="&#38;lt;i&#38;gt;Interview with Tatsiana Zamirovskaya&#38;lt;/i&#38;gt;, Punctured Lines" src="https://freight.cargo.site/w/470/i/040991ffaed17e907ac96d725589fbb16396f4a836a3801ae7d9041a7020b6eb/interview.jpg" /&#62;

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		<title>Cultural Criticism</title>
				
		<link>https://fiona-bell.com/Cultural-Criticism</link>

		<pubDate>Tue, 22 Feb 2022 00:27:21 +0000</pubDate>

		<dc:creator>Fiona Bell</dc:creator>

		<guid isPermaLink="true">https://fiona-bell.com/Cultural-Criticism</guid>

		<description>Cultural Criticism

&#60;img width="800" height="401" width_o="800" height_o="401" data-src="https://freight.cargo.site/t/original/i/595e0f4fda7f317d6bce7e00528bada4883aa17bc87358c52057831bf1e659aa/garbage-3259455_1920.jpg" data-mid="134280816" border="0" data-draggable alt="What We Talk About When We Talk About This Title Format, Literary Hub" data-caption="&#38;lt;i&#38;gt;What We Talk About When We Talk About This Title Format&#38;lt;/i&#38;gt;, Literary Hub" src="https://freight.cargo.site/w/800/i/595e0f4fda7f317d6bce7e00528bada4883aa17bc87358c52057831bf1e659aa/garbage-3259455_1920.jpg" /&#62;
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&#60;img width="1280" height="909" width_o="1280" height_o="909" data-src="https://freight.cargo.site/t/original/i/14f8fd2c35cd1709de732d5c041cca76c7aa82517109adf75df37265a7fcb8cc/https-_dev.lareviewofbooks.org_wp-content_uploads_2019_06_russiatoday.jpg" data-mid="134283563" border="0" data-draggable alt="Literature in a Time of Collusion, LA Review of Books" data-caption="&#38;lt;i&#38;gt;Literature in a Time of Collusion&#38;lt;/i&#38;gt;, LA Review of Books" src="https://freight.cargo.site/w/1000/i/14f8fd2c35cd1709de732d5c041cca76c7aa82517109adf75df37265a7fcb8cc/https-_dev.lareviewofbooks.org_wp-content_uploads_2019_06_russiatoday.jpg" /&#62;
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&#60;img width="538" height="364" width_o="538" height_o="364" data-src="https://freight.cargo.site/t/original/i/c0d8f1b5d4d79dfbb105faea75be3a5c47255dfeffc1b011b90c4f42ccd4330a/The_Diva_Mode_of_Translation_538-1.jpg" data-mid="134281838" border="0" data-draggable alt="The Diva Mode of Translation, Asymptote Journal" data-caption="&#38;lt;i&#38;gt;The Diva Mode of Translation&#38;lt;/i&#38;gt;, Asymptote Journal" src="https://freight.cargo.site/w/538/i/c0d8f1b5d4d79dfbb105faea75be3a5c47255dfeffc1b011b90c4f42ccd4330a/The_Diva_Mode_of_Translation_538-1.jpg" /&#62;
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&#60;img width="387" height="600" width_o="387" height_o="600" data-src="https://freight.cargo.site/t/original/i/1c44b8b48e6909badc5123bf724d3098c1c70274426808b27861670c97e848d0/high-as-the-waters-rise.jpg" data-mid="134281019" border="0" data-draggable alt="Review of High as the Waters Rise, Chicago Review" data-caption="&#38;lt;i&#38;gt;Review of High as the Waters Rise&#38;lt;/i&#38;gt;, Chicago Review" src="https://freight.cargo.site/w/387/i/1c44b8b48e6909badc5123bf724d3098c1c70274426808b27861670c97e848d0/high-as-the-waters-rise.jpg" /&#62;
&#60;img width="540" height="395" width_o="540" height_o="395" data-src="https://freight.cargo.site/t/original/i/135126caf54bf1717e67d4f324094a153d9770d0140ad3d9b209e5c4df68a839/men_who_paint.png" data-mid="134280611" border="0" data-draggable alt="Men Who Paint, Men Who Post: Visualizing Russian Masculinity, NYU Jordan Center" data-caption="&#38;lt;i&#38;gt;Men Who Paint, Men Who Post: Visualizing Russian Masculinity&#38;lt;/i&#38;gt;, NYU Jordan Center" src="https://freight.cargo.site/w/540/i/135126caf54bf1717e67d4f324094a153d9770d0140ad3d9b209e5c4df68a839/men_who_paint.png" /&#62;
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&#60;img width="854" height="719" width_o="854" height_o="719" data-src="https://freight.cargo.site/t/original/i/97424cf98013dd90f1fee7c2d457d8eda5ace90194707cf260698906fc58bdac/Raskolnikov-Clown-Pic-.jpg" data-mid="150638514" border="0" data-draggable alt="Clowning Around with Dostoevsky, Bloggers Karamazov" data-caption="&#38;lt;I&#38;gt;Clowning Around with Dostoevsky&#38;lt;/i&#38;gt;, Bloggers Karamazov" src="https://freight.cargo.site/w/854/i/97424cf98013dd90f1fee7c2d457d8eda5ace90194707cf260698906fc58bdac/Raskolnikov-Clown-Pic-.jpg" /&#62;
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	<item>
		<title>Humor</title>
				
		<link>https://fiona-bell.com/Humor</link>

		<pubDate>Tue, 22 Feb 2022 01:45:27 +0000</pubDate>

		<dc:creator>Fiona Bell</dc:creator>

		<guid isPermaLink="true">https://fiona-bell.com/Humor</guid>

		<description>Humor


&#60;img width="1637" height="2294" width_o="1637" height_o="2294" data-src="https://freight.cargo.site/t/original/i/a15e41cf180a79bfa9e7aa2186e14a07eb6859d6466c00fafdf6aea329b6616a/bell-satc-2050.jpg" data-mid="134283905" border="0" data-draggable alt="Carrie&#38;rsquo;s Voice-Overs If &#38;ldquo;Sex and the City&#38;rdquo; Were Set in 2050, The New Yorker" data-caption="&#38;lt;i&#38;gt;Carrie’s Voice-Overs If “Sex and the City” Were Set in 2050&#38;lt;/i&#38;gt;, The New Yorker" src="https://freight.cargo.site/w/1000/i/a15e41cf180a79bfa9e7aa2186e14a07eb6859d6466c00fafdf6aea329b6616a/bell-satc-2050.jpg" /&#62;
&#60;img width="1440" height="720" width_o="1440" height_o="720" data-src="https://freight.cargo.site/t/original/i/cdd208da4b4cf51cb4440df2b062235c59e91f10310940546f5c0e2dfb527b8f/rudolph-ussr-1440x720.jpg" data-mid="134283689" border="0" data-draggable alt="Andrei Platonov's &#38;quot;Rudolph the Red-Nosed Reindeer&#38;quot;, Points in Case" data-caption="&#38;lt;i&#38;gt;Andrei Platonov's &#38;quot;Rudolph the Red-Nosed Reindeer&#38;quot;&#38;lt;/i&#38;gt;, Points in Case" src="https://freight.cargo.site/w/1000/i/cdd208da4b4cf51cb4440df2b062235c59e91f10310940546f5c0e2dfb527b8f/rudolph-ussr-1440x720.jpg" /&#62;
&#60;img width="760" height="603" width_o="760" height_o="603" data-src="https://freight.cargo.site/t/original/i/79c364ed602326b2425eaa04a1881c39b86bea92ccab5edc5a6803825b1b069a/0-QJVJZ7ztFheJSmwu.jpg" data-mid="134283953" border="0" data-draggable alt="Isadora Duncan, Zumba Instructor, Resigns from the Rec Center, The Belladonna" data-caption="&#38;lt;i&#38;gt;Isadora Duncan, Zumba Instructor, Resigns from the Rec Center&#38;lt;/i&#38;gt;, The Belladonna" src="https://freight.cargo.site/w/760/i/79c364ed602326b2425eaa04a1881c39b86bea92ccab5edc5a6803825b1b069a/0-QJVJZ7ztFheJSmwu.jpg" /&#62;
&#60;img width="1400" height="966" width_o="1400" height_o="966" data-src="https://freight.cargo.site/t/original/i/bade5677a31b544aedd90686f4ad0bac6d74f8b5454bf6e8f46779dbce47994b/skin.png" data-mid="134283972" border="0" data-draggable alt="Raskolnikov Tries a 10-step Skincare Routine, The Belladonna" data-caption="&#38;lt;i&#38;gt;Raskolnikov Tries a 10-step Skincare Routine&#38;lt;/i&#38;gt;, The Belladonna" src="https://freight.cargo.site/w/1000/i/bade5677a31b544aedd90686f4ad0bac6d74f8b5454bf6e8f46779dbce47994b/skin.png" /&#62;
&#60;img width="1440" height="720" width_o="1440" height_o="720" data-src="https://freight.cargo.site/t/original/i/cd1c17c47a0c218f0f4e77822a97e1db2753aee1fc758c6280952f49117b0ca1/russian-lit-writers-1440x720.jpg" data-mid="134283928" border="0" data-draggable alt="Russian Literary Classics Set in 2020, Points in Case" data-caption="&#38;lt;i&#38;gt;Russian Literary Classics Set in 2020&#38;lt;/i&#38;gt;, Points in Case" src="https://freight.cargo.site/w/1000/i/cd1c17c47a0c218f0f4e77822a97e1db2753aee1fc758c6280952f49117b0ca1/russian-lit-writers-1440x720.jpg" /&#62;
&#60;img width="1000" height="522" width_o="1000" height_o="522" data-src="https://freight.cargo.site/t/original/i/061a4a1695607ab281736a69a2e8456e587ecf63da85e7154b88b8426c180d35/rasputin.jpg" data-mid="144126415" border="0" data-draggable alt="Rasputin's Top 10 Tips for Picking Up Women, Points in Case" data-caption="&#38;lt;i&#38;gt;Rasputin's Top 10 Tips for Picking Up Women&#38;lt;/i&#38;gt;, Points in Case" src="https://freight.cargo.site/w/1000/i/061a4a1695607ab281736a69a2e8456e587ecf63da85e7154b88b8426c180d35/rasputin.jpg" /&#62;
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